From the week long build-up and crazy press conferences, to the corporate tie-ins and highly sought after advertising slots broadcasting to over 110m Americans – It’s a serious business, but it’s also an innovative one, which often show glimpses of the future of TV advertising.
Given that it costs $100,000 a second to advertise on TV during the Super Bowl itself (a 20% increase on last year), it’s no real surprise to see this year that ads were encouraging viewers to tweet about their brand with hash tag prompts at the close of the creative, to make it work a little bit harder (and for longer). Audi were the first to do this in 2011 and continued their Super Bowl advertising innovation this year with an ironic Twilight-themed commercial that not only trended on Twitter, but had 6.5 million YouTube hits inside 48 hours and various social media spin-offs on Facebook and the like.
So how does this and can this influence the UK? Well, X Factor is about the closest the UK comes to country-grinds-to-a-halt TV – Audi (again), dairy giants Yeo Valley and Muller and British stalwart M&S have all had very memorable recent slots, but a formula for success which the Super Bowl has (ie. obscure messaging and the brand not taking itself too seriously) has yet to emerge for the UK market. Indeed, these brands with seriously hyped ads during X Factor have had, to be honest, pretty mixed success.
While advertisers may want to create a Super Bowl equivalent on this side of the pond, I think the UK might just remain an enigma. X Factor viewers remain demographically skewed towards females and 16-34s, while the Super Bowl audience is hugely varied. Other massive events like the World Cup only come around every 4 years (and, let’s face it, often don’t last too long) and are frequently broadcasted by the BBC to some extent anyway, much like 2012’s biggest event. We also suffer from having a number of ads which aren’t made for the British market.
What we should look to do is take some of the best bits from the new Super Bowl ads each year, like the increased online interactivity we saw for 2012. Oh, and while we’re at it, probably try to get on board with this slightly strange egg-chasing game – It certainly seems here to stay.
Tom Wakeman
All opinions expressed are those of the author and not HPI Research.